Differences between the sexes is not a new topic by any stretch of the imagination; but ever since Kathryn Bigelow's The Hurt Locker and Lynn Shelton's Humpday hit the scene, there has been more talk than usual about what kind of movies
chicks make versus what kind of movies dudes make.
On Shelton, The New York Times’s Michelle Orange came out with an article entitled “She’s a Director Who’s Just Another Dude,” and on Bigelow, Salon’s Andrew O’Hehir wrote:
“Bigelow has directed some of the most visually inventive and exciting films in recent action-cinema history. (Yes, I am willing and even eager to defend ‘Strange Days’ and ‘K-19: The Widowmaker.’ Let's leave that for another time.) She has virtually no interest in the kinds of talky, intimate dramas the world expects female filmmakers to crank out (and her one, only partially successful attempt to move in that direction, ‘The Weight of Water’ in 2000, suggests she shouldn't bother).”
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