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  • Director:
    Lars von Trier

    Selma has emigrated with her son from Central Europe to America. The year is 1964. Selma works day and night to save her son from the same disease she suffers from, a disease that inevitably will make her blind. But Selma has the energy to live because of her secret! She loves musicals. When life feels tough she can pretend ...

  • Director:
    David Lynch

    A beautiful woman (Laura Elena Harring) riding in a limousine along Los Angeles' Mulholland Drive is targeted by a would-be shooter, but before he can pull the trigger, she is injured when her limo is hit by another car. The woman stumbles from the wreck with a head wound, and in time makes her way into an apartment with no ...

    Our Take: “No hay Banda” says a stage performer as she sings to the music of a non-existent band. This is just a taste of David Lynch’s surreal world in Mulholland Drive. A mind-blowingly complex performance by Naomi Watts and a picture of a world where no one and nothing is as it seems, make this arguably the director’s best film but irrefutably the most discussed.

  • Nine Lives Cover Art 2005
    Director:
    Rodrigo Garcia

    In these short episodes (lasting between ten and 14 minutes), Holly (Lisa Gay Hamilton) has a brief moment of reverie while confronting the specters of her past in her old neighborhood. Maggie (Glenn Close) escorts her young daughter Maria (Dakota Fanning) to a cemetery as they visit the graves of their family members. Ruth (Sissy Spacek) is a married woman ...

    Our Take: Nine Lives is mesmerizing and powerful. One can watch it over and over again, each time finding more nuances in the subtle script and moving performances.

  • Director:
    Errol Morris

    For his second documentary feature, Errol Morris originally set out to chronicle Vernon, FL, because it had the highest rate of a particular sort of insurance fraud — dismemberment performed for profit — than any other place in the country. Nothing of that original idea survives in the film itself. Instead, Morris seems perfectly content letting the camera roll in ...