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  • Director:
    Barbara Kopple

    Barbara Kopple's Academy Award winning Harlan County USA unflinchingly documents a grueling coal miners' strike in a small Kentucky town. With unprecedented access, Kopple and her crew captured the miners' sometimes violent struggles with strikebreakers, local police, and company thugs. Featuring a haunting soundtrack - with legendary country and bluegrass artists Hazel Dickens, Merle Travis, Sarah Gunning, and Florence Reece ...

  • I Am Cuba Cover Art 1964
    Director:
    Mikheil Kalatozishvili

    A lovely young woman in a nightclub frequented by crass American businessmen takes a customer to her modest seaside shack for a night of pleasure for pay, only to be found out by her street vendor suitor; a tenant farmer is told that his crop has been sold to United Fruit and in frustration burns his fields; a middle-class student ...

    Our Take: The Cuba of our imagination comes alive in full-color propaganda.

  • Director:
    William Klein

    To help fight the communists, comic-strip superhero Mister Freedom (John Abbey) is sent to France by an American group called Freedom Incorporated. Receiving his orders from Doctor Freedom (Donald Pleasence), he battles the Russian Moujik Man and a fire-breathing dragon named Red China Man in this political satire critical of U.S. policies. When one of the heroes nears death, another ...

  • Pickpocket Cover Art 1959
    Director:
    Robert Bresson

    Director Robert Bresson chose Uruguayan nonactor Martin LaSalle for his leading man in Pickpocket. LaSalle's inexperience works against the film for some viewers, though Bresson himself was satisfied because his star proved himself a quick study in the art of lifting wallets (a genuine pickpocket was engaged as "technical adviser"). Essentially, the story is a character study of a cocky ...

  • Director:
    François Truffaut

    Francois Truffaut's first feature, The 400 Blows (Les Quatre cents coups), is also his most personal. Told through the eyes of Truffaut's life-long cinematic counterpart, Antoine Doinel (Jean-Pierre Leaud), The 400 Blows sensitively recreates the trials of Truffaut's own difficult childhood, unsentimentally portraying aloof parents, oppressive teachers, petty crime, and a friendship that would last a lifetime. The film marks ...