Stop-Loss: An interview with director Kimberly Peirce:
STOP-LOSS director Kimberly Peirce’s first film since the Academy Award-winning Boys Don’t Cry, is a topical and emotionally penetrating drama examining a government policy that has affected the lives of more than ...
Posted on 07/18/2008 by: FCFeatures
Herzog and the Apocalypse: A Meditation Inspired by Encounters at the End of the World
By Damon Smith
Movies have been dreaming about the end of the world at least since the 1950s, when nuclear-age anxieties about world ...
Posted on 07/18/2008 by: FCFeatures
About a "Boy": A Review of John Crowley's Post-Prison Coming-of-Age Tale, Boy A
By Damon Smith
“The past is not the future,” opines Peter Mullan’s Terry in the buzzed-about British film “Boy A.” But the past is exactly what’s ...
Posted on 07/18/2008 by: FCFeatures
Posted on 07/18/2008 by: TheDailyKirk
Posted on 07/18/2008 by: TheDailyKirk
Posted on 07/10/2008 by: TheDailyKirk
Stop-Loss: An interview with director Kimberly Peirce:
STOP-LOSS director Kimberly Peirce’s first film since the Academy Award-winning Boys Don’t Cry, is a topical and emotionally penetrating drama examining a government policy that has affected the lives of more than ...
Posted on 07/18/2008 by: FCFeatures
Herzog and the Apocalypse: A Meditation Inspired by Encounters at the End of the World
By Damon Smith
Movies have been dreaming about the end of the world at least since the 1950s, when nuclear-age anxieties about world ...
Posted on 07/18/2008 by: FCFeatures
About a "Boy": A Review of John Crowley's Post-Prison Coming-of-Age Tale, Boy A
By Damon Smith
“The past is not the future,” opines Peter Mullan’s Terry in the buzzed-about British film “Boy A.” But the past is exactly what’s ...
Posted on 07/18/2008 by: FCFeatures