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  • Director:
    Vilgot Sjoman

    A parallel film to Vilgot Sjöman's controversial I Am Curious-Yellow, I Am Curious-Blue also follows young Lena on her journey of self-discovery. In Blue, Lena confronts issues of religion, sexuality, and the prison system, while at the same time exploring her own personal relationships. Like Yellow, Blue freely traverses the lines between fact and fiction, employing a mix of dramatic ...

  • Director:
    Vilgot Sjoman

    Seized by customs upon entry to the United States, subject of a heated court battle, and banned in numerous cities, Vilgot Sjöman's I Am Curious-Yellow is one of the most controversial films of all time. This landmark document of Swedish society during the sexual revolution has been declared both obscene and revolutionary. It tells the story of Lena (Lena Nyman), ...

  • Director:
    Vilgot Sjoman

    Seized by customs upon entry to the United States, subject of a heated court battle, banned in cities across the United States, Vilgot Sjöman’s I Am Curious—Yellow is one of the most controversial films of all time. This landmark document of Swedish society during the sexual revolution has been declared both obscene and revolutionary. It tells the story of ...

  • Director:
    Ermanno Olmi

    Ermanno Olmi's masterful feature is the tender story of two Milanese fiances whose strained relationship is tested when the man accepts a new job in Sicily. With the separation come loneliness, nostalgia, and, perhaps, some new perspectives that might rejuvenate their love. Olmi's deep humanism charges this moving depiction of ordinary men and women, and the pitfalls of the human ...

  • Directors:
    Michael Powell
    ,
    Emeric Pressburger

    In Michael Powell and Emeric Pressburger's stunningly photographed comedy, romance flourishes in an unlikely place - the bleak and moody Scottish Hebrides. Wendy Hiller stars as a headstrong young woman who travels to these remote isles to marry a rich lord. Stranded by stormy weather, she meets a handsome naval officer (Roger Livesey) who threatens to thwart her carefully laid ...

  • Director:
    Federico Fellini

    Five young men linger in a postadolescent limbo, dreaming of adventure and escape from their small seacoast town. They while away their time spending the lira doled out by their indulgent families on drink, women, and nights at the local pool hall. Federico Fellini’s second solo directorial effort (originally released in the U.S. as The Young and the Passionate) is ...

  • Ikiru Cover Art 1952
    Director:
    Akira Kurosawa

    Considered by some to be Akira Kurosawa's greatest achievement, Ikiru presents the director at his most compassionate - affirming life through an exploration of a man's death. Takashi Shimura portrays Kanji Watanabe, an aging bureaucrat with stomach cancer forced to strip the veneer off his existence and find meaning in his final days. Told in two parts, Ikiru offers Watanabe's ...

  • Il posto Cover Art 1961
    Director:
    Ermanno Olmi

    When young Domenico (Sandro Panseri) ventures from the small village of Meda to Milan in search of employment, he finds himself on the bottom rung of the bureaucratic ladder in a huge, faceless company. The prospects are daunting, but Domenico finds reason for hope in the fetching Antonietta (Loredana Detto). A tender coming - of - age story and a ...

  • Director:
    Wong Kar Wai

    Hong Kong, 1962: Chow Mo - wan and Su Li - zhen move into neighboring apartments on the same day. Their encounters are polite and formal - until a discovery about their respective spouses sparks an intimate bond. At once delicately mannered and visually stunning, Wong Kar Wai's In the Mood for Love is a masterful evocation of romantic longing ...

  • Director:
    Vittorio De Sica

    An American housewife (Jennifer Jones) vacationing in Italy reluctantly decides to put an end to her brief affair with an Italian academic (Montgomery Clift). She flees to Rome's Stazione Termini, where she bids him farewell, but he begs her to stay.

  • Director:
    Vilgot Sjoman

    The year is 1961 and Ingmar Bergman is making a movie. While planted on the scene as apprentice to Bergman, Vilgot Sjoman (director, I Am Curious Yellow, 1967), suggests to Swedish Television that they take the opportunity to record with the acclaimed director. In August, Sjoman and the television crew begin to capture what would become a comprehensive five - ...

  • Insomnia Cover Art 1997
    Director:
    Erik Skjoldbjarg

    Disgraced Swedish detective Jonas Engstrom (Stellan Skarsgard) travels to northern Norway to solve a brutal murder in Insomnia. Unable to sleep through the night of the midnight sun, Engstrom quickly loses his grip on the case and his mind. Erik Skjoldbjarg's debut feature is a deft amalgam of psychological thriller, morality play, and police procedural.

  • Director:
    Sergei Eisenstein

    Navigating the deadly waters of Stalinist politics, Eisenstein was able to film two parts of his planned trilogy about the troubled 16th - century tsar who united Russia. Visually stunning and powerfully acted, Ivan the Terrible charts the rise to power and descent into terror of this veritable dictator. Though pleased with the first installment, Stalin detected the portrait in ...

  • Jigoku Cover Art 1960
    Director:
    Nobuo Nakagawa

    Shocking, outrageous, and poetic, Jigoku (Hell, a.k.a. The Sinners of Hell) is the most innovative creation from Nobuo Nakagawa, the father of the Japanese horror film. After a young theology student flees a hit - and - run accident, he is plagued by both his own guilt - ridden conscience and a mysterious, diabolical doppelganger. But all possible escape routes ...

  • Director:
    D.A. Pennebaker

    Jimi Hendrix and Otis Redding arrived at California’s Monterey International Pop Festival virtually unknown. Returning stateside from London, where he had moved to launch his musical career, Hendrix exploded onstage, flooring an unsuspecting audience with his maniacal six-string pyrotechnics. Redding, a venerable star of Memphis’s Stax record label, seduced the “love crowd” in one of his best—and last— shows. Jimi ...

  • Director:
    John Cassavetes

    John Cassavetes has been called a genius, a visionary, and the father of independent film. But all this rhetoric threatens to obscure the humanism and generosity of his art. The five films included here represent his self-financed works made outside the studio system of Hollywood, on which he was afforded complete control. While about beatniks, hippies, businessmen, actors, housewives, strippers, ...

  • Jubilee Cover Art 1978
    Director:
    Derek Jarman

    When Queen Elizabeth I asks her court alchemist to show her England in the future, she’s transported 400 years to a post-apocalyptic wasteland of roving girl gangs, an all-powerful media mogul, fascistic police, scattered filth, and twisted sex. With Jubilee, legendary British filmmaker Derek Jarman channeled political dissent and artistic daring into a revolutionary blend of history and fantasy, musical ...

  • Director:
    François Truffaut

    (Oskar Werner) and Jim (Henri Serre) into one of cinema's most captivating romantic triangles. An exuberant and poignant meditation on freedom, loyalty, and the fortitude of love, Jules and Jim was a worldwide smash upon its release in 1962 and remains as audacious and entrancing today.

  • Director:
    Federico Fellini

    Cinematographer Gianni di Venanzo's masterful use of Technicolor transforms Juliet of the Spirits, Fellini's first color feature, into a kaleidoscope of dreams, spirits, and memories. Giulietta Masina plays a betrayed wife whose inability to come to terms with reality leads her along a hallucinatory journey of self - discovery.

  • Kagemusha Cover Art 1980
    Director:
    Akira Kurosawa

    In his late, color masterpiece Kagemusha, Akira Kurosawa returned to the samurai film and to a primary theme of his career—the play between illusion and reality. Sumptuously reconstructing the splendor of feudal Japan and the pageantry of war, Kurosawa creates a historical epic that is also a meditation on the nature of power.

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