The Piano

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Awards

Academy Awards 1994 - Nominated - Best Cinematography

Academy Awards 1994 - Nominated - Best Costume Design

Academy Awards 1994 - Nominated - Best Director

Academy Awards 1994 - Nominated - Best Editing

Academy Awards 1994 - Nominated - Best Cinematography

Academy Awards 1994 - Nominated - Best Costume Design

Academy Awards 1994 - Nominated - Best Director

Academy Awards 1994 - Nominated - Best Editing

Academy Awards 1994 - Nominated - Best Picture

Academy Awards 1994 - Won - Best Actress

Academy Awards 1994 - Won - Best Original Screenplay

Academy Awards 1994 - Won - Best Supporting Actress

BAFTA Awards 1994 - Won - Best Actress

BAFTA Awards 1994 - Won - Best Costume Design

BAFTA Awards 1994 - Won - Best Production Design

Cannes Film Festival 1993 - Won - Best Actress

Cannes Film Festival 1993 - Won - Palme d'Or

Golden Globe Awards 1994 - Won - Best Actress in a Drama

Independent Spirit Awards 1994 - Won - Best Foreign Film

LA Film Critics Association Awards 1993 - Won - Best Actress

LA Film Critics Association Awards 1993 - Won - Best Cinematography

LA Film Critics Association Awards 1993 - Won - Best Director

LA Film Critics Association Awards 1993 - Won - Best Screenplay

LA Film Critics Association Awards 1993 - Won - Best Supporting Actress

National Board of Review Awards 1993 - Won - Best Actress

National Society of Film Critics Awards 1994 - Won - Best Actress

National Society of Film Critics Awards 1994 - Won - Best Screenplay

New York Film Critics Circle Awards 1993 - Won - Best Actress

New York Film Critics Circle Awards 1993 - Won - Best Director

New York Film Critics Circle Awards 1993 - Won - Best Screenplay

PGA Golden Laurel Awards 1994 - Won - Most Promising Producer in Motion Pictures

WGA Awards 1994 - Won - Best Original Screenplay

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The Piano

Director:
Jane Campion
R, 121 Minutes
 

At A Glance

Film Synopsis

Writer/director Jane Campion's third feature unearthed emotional undercurrents and churning intensity in the story of a mute woman's rebellion in the recently colonized New Zealand wilderness of Victorian times. Ada McGrath (Holly Hunter), a mute who has willed herself not to speak, and her strong-willed young daughter Flora (Anna Paquin) find themselves in the New Zealand wilderness, with Ada the imported bride of dullard land-grabber Stewart (Sam Neill).

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Our Take

"Beautifully shot and acted - Holly Hunter's Ada speaks volumes without words, as does the recurring shot of the piano on the beach."

Others Who Liked the Film

 

Details

MPAA:
Rated R for moments of extremely graphic sexuality.

Runtime:
121 min.

Genres:
Drama
Romance

Countries:
FRANCE
AUSTRALIA
NEW ZEALAND

Language:
English/American

Color:
Color

Certification:
R

Plot Summary

Ada immediately takes a dislike to Stewart when he refuses to carry her beloved piano home with them. But Stewart makes a deal with his overseer George Baines (Harvey Keitel) to take the piano off his hands. Attracted to Ada, Baines agrees to return the piano in exchange for a series of piano lessons that become a series of increasingly charged sexual encounters. As pent-up emotions of rage and desire swirl around all three characters, the savage wilderness begins to consume the tiny European enclave. Campion imbues her tale with an over-ripe tactility and a murky, poetic undertow that betray the characters' confined yet overpowering emotions: Ada's buried sensuality, Baines' hidden tenderness, and Stewart's suppressed anger and violence. The story unfolds like a Greek tragedy of the Outback, complete with a Greek chorus of Maori tribesmen and a blithely uncaring natural environment that envelops the characters like an additional player. Campion directs with discreet detachment, observing one character through the glances and squints of another as they peer through wooden slats, airy curtains, and the spaces between a character's fingers. She makes the film immediate and urgent by implicating the audience in characters' gazes. And she guides Hunter to a revelatory performance of silent film majesty. Relying on expressive glances and using body language to convey her soulful depths, Hunter became a modern Lillian Gish and won an Oscar for her performance, as did Paquin and Campion for her screenplay. Campion achieved something rare in contemporary cinema: a poetry of expression told in the form of an off-center melodrama.

 

 

Memorable Quotes

Ada: I have told you the story of your father many many times. 

Flora: Oh, tell me again! Was he a teacher? 
Ada: Yes. 
Flora: How did you speak to him?
Ada: I didn't need to speak. I could lay thoughts out in his mind like they were a sheet. 
Flora: Why didn't you get married? 
Ada: He became frightened and stopped listening.

Ada: The voice you hear is not my speaking voice, but my mind's voice. I have not spoken since I was six years old. No one knows why - not even me. My father says it is a dark talent, and the day I take it into my head to stop breathing will be my last. Today he married me to a man I have not yet met. Soon my daughter and I shall join him in his own country. My husband writes that my muteness does not bother him, and hark this! He says, "God loves dumb creatures, so why not I?" 'Twere good he had God's patience, for silence affects everyone in the end. The strange thing is, I don't think myself silent. That is because of my piano. I shall miss it on the journey.

Flora: One day when my mother and father were singing together in the forest, a great storm blew up out of nowhere. But so passionate was their singing that they did not notice, nor did they stop as the rain began to fall, and when their voices rose for the final bars of the duet a great bolt of lighting came out of the sky and struck my father so that he lit up like a torch. And at the same moment my father was struck dead my mother was struck dumb. She never spoke another word.

 

 

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